Excellence and Innovation in Communication Technology: Reconstruction of a Debate between Wiesing, Levinson, Crowther y Seel

Authors

  • Carlos Ortiz de Landázuri Universidad de Navarra

DOI:

https://doi.org/10.37467/gka-revhuman.v1.676

Keywords:

Innovation, Image, Communication, Excellence

Abstract

The criteria of excellence and innovation concerning the technologies of the communication that see affected by a big number of factors, but at the end there is one that prevails on all the other: The quality of the images used, as it occurs with National Geographic and Walt Disney, two companies of communication that have been leaders concerning the fixation of the standard criteria of excellence and innovation. In this context reconstructs the contemporary debate between Wiesing, Levinson, Crowther and Seel about the criteria of excellence and innovation used concerning the assessment of the quality of the mediated virtual images by part of the technologies of the communication, taking into account his four genetic dimensions, to know: retroductive, symbolic, contextual and strictly scenic.

References

Altshuler, B. (ed.) (2005). Collecting the New. Museums and Contemporary Art, Princeton University, Princeton.

Ameriks, K.; Stolzenberg, J. (Hrsg.) (2007). Ästhetic und Philosophie, Aesthetics and Philosophy, Internationales Jahrbuch des Deutschen Idealismus, Walter De Gruyter, Berlin.

Baecker, D. (2005). Form und Formen der Kommunikation, Suhrkamp, Frankfurt. DOI: https://doi.org/10.1007/978-3-322-80488-4_3

Baricco, A. (2008). Los bárbaros. Ensayo sobre la mutación, Anagrama, Barcelona.

Barthes, R. (2007). El Imperio de los signos, Seix Barral, Barcelona.

Becker, R.; Orth, E. W. (Hrsg.) (2005). Medien und Kultur . Mediale Weltauffassung, Königshausen und Neumann, Würzburg.

Blaas-Pratscher, C. et al. (2006). Offentliche Kunst, Kunst im öffentlichen Raum, Springer, Wien.

Blair, S. (2007). Harlen Crossroads. Black Writers and the Photograph in the Twentieth Century, Princeton University, Princeton.

Bollini, F. (2007). Estetica analitica 1-2, Studi di estetica, III Serie, XXXI, Clueb.

Brown, S.; Volgsten, U. (2006). Music and Manipulation. On the Social Uses and Social Control of Music, Berghahm, New York.

Budd, M. (2008). Aesthetic Essays, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199556175.001.0001

Crowther, Paul (2007). Defining Art, Creating the Canon. Artistic Value in an Era of Doubt, Clarendon, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199210688.001.0001

Darvas, G. (2007). Symmetry. Cultural-historical and Ontological Aspects of Science-arts Relations. The Natural and Man-made World in an interdisciplinary Approach, Birkhauser, Basel.

Davies, S. (2007). Philosophical Perspectives on Art, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199202423.001.0001

Dodd, J. (2007). Works of Music. An Essay in Ontology, Clarendon, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199284375.001.0001

Eisentein, S. M. (2006). Jenseits der Einstellung. Schriften zur Filmtheorie; Lenz, F.; Diederichs, H. H. (Hg.); Suhrkamp, Frankfurt.

Eagleton, T. (2006). La estética como ideología, Trotta, Madrid.

Esteban, I.; El efecto Guggenheim. Del espacio basura al ornamento, Anagrama, Barcelona, 2007.

Everaert-Desmedt, N. (2006). Interpréter l'art contemporain: la sémiotique peircienne appliquée aux oeuvres de Magritte, Klein, Duras Wenders, Chávez, Parant et Corillon, De Boeck Université, Bruxelles.

Farber, D. (eds.) (2007). What they Think of US. International Perceptions of the United States since 9/11, Princeton University, Princeton.

Garber, M. (2008). Patronizing the Arts, Princeton University, Princeton. DOI: https://doi.org/10.1515/9781400830039

Gaut, B. (2007). Art, Emotions and Ethics, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199263219.001.0001

Gibson, J. (2007). Fiction and the Weave of Life, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199299522.001.0001

Godie, P.; Schelleckens, E. (ed.) (2007). Philosophy and Conceptual Art, Clarendon, Oxford University, Oxford.

Gower, K. K. (2007). Public Relations and the Press. The Troubled Embrance, Northwestern University, Evanston (IL).

Graham, G. (2007). The Re-enchantment of the World. Art versus Religion, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199265961.001.0001

Green, M. S. (2007). Self-Expression, Oxford University, Oxford.

Guyer, P. (2005). Values of Beauty. Historical Essays in Aesthetics, Cambridge University, Cambridge. DOI: https://doi.org/10.1017/CBO9780511840876

Ismael, J. T. (2007). The Situated Self, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780195174366.001.0001

Jäger, Ernst (2006). Filmkritiker, Lewinski, H. (Hrsg.), Film & Schrift, B: 2, Text + Kritik, Müchen.

Kieran, M. (2006). Revealing Art, Routledge, Abingdon.

Kivy, P. (2007). Music, Language, and Cognition. And Other Essays in the Aesthetics of Music, Oxford University, Oxford.

Koebner, T. (Hg.) (2008). Ästhetische Existenz – Ethische Existenz. Ein zeitgenössisches Entweder – Oder?, Text + Kritik, München.

Koebner, T.; Meder, T. (Hrsg.) (2006). Bildtheorie und Film, Text und Kritik, München, 2006. Koselleck, R. Begriffsgeschichten, Suhrkamp, Frankfurt.

Kraut, R. (2007). Artworld Metaphysics, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199228126.001.0001

Kulvicki, J. V. (2006). On Images. Their Structure and Content, Clarendon, Oxford University, Oxford. DOI: https://doi.org/10.1093/019929075X.001.0001

Lackey, J.; Sosa, E. (2006). The Epistemology of Testimony, Clarendon, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199276011.001.0001

Levinson, Jerrold (2006). Conteplating Art. Essays in Aesthetics, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199206179.001.0001

Maderuelo, J. (2005). El paisaje. Génesis de un concepto, Abada, Madrid.

Mahne, N. (2007). Transmediale Erzähltheorie. Eine Einführung, Vandenhoeck & Ruprecht, Göttingen.

Marchán, S. (2005); Real-Virtual en la estética y la teoría de las artes, Paidós, Barcelona.

Mauthner, F. (2008). La maledizione della parola, Bertolini, L. (ed.); Aesthetica Supplementa 22, Centro Internazionale Studidi Estetica, Palermo, Septiembre.

Messori, R. (2007). Dire l’esperienza estetica, Aesthetica 80, Parma,.

Mosebach, M. (2005). Du sollst dir ein Bild machen. Über alte und neue Meister, Klampen, Spring.

Nehamas, A. (2007). Only a Promise of Happiness. The Place of Beauty in a World of Art, Princeton University, Princeton.

Nelson, J. K.; Zeckhauser, R. J. (2008). The Patron’s Payoff. Conspicuous Commissions in Italian Renaissance Art, Princeton University, Princeton (NJ).

O’Callaghan, C. (2007). Sounds. A Philosophical Theory, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199215928.001.0001

Ott, M. (2005). U. A. Hollywood. Phatasma / Symbolische Ordnung in Zeiten des Blockbuster-Films, Text + Kritik, München.

Paskow, Alan (2004). The Paradoxes of Art. A Phenomenological Investigation, Cambridge University, Cambridge. DOI: https://doi.org/10.1017/CBO9780511616280

Phillips, A. (2007). Multiculturalism without Culture, Princeton University, Princeton (NJ).

Prinz, J. J. (2006). Gut Reactions. A Perceptual Theory of Emotion, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780195309362.001.0001

Puelles Romero, L.; Fernández Gómez, R. (eds.) (2008). Estetización y nuevas artes, Suplemento 13, Contrastes, Universidad de Málaga, Málaga.

Rieger, S. (2005). Die Ästhetik des Menchen. Über das Technische in Leben und Kunst, Suhrkamp, Frankfurt.

Romero de Solís, D.; López Lloret, J.; Murcia Serrano, I. (2007). Variaciones sobre el color, Universidad de Sevilla, Sevilla.

Rubia del Prado, L. La (2006). Dalí: excéntrico concéntrico, EUG - Universidad de Granada, Granada.

Russo, L. (ed) (2005); Jean-Baptiste Du Bos e l'estetica dello spettatore, Centro Internationale Studi di Estetica, Palermo.

Russo, L. (ed.) (2006), Attraverso l’imagine. In ricordo di Cesare Brandi, Suplementa 19, Aestetica, Palerm.

Saito, Y. (2007). Everyday Aesthetic, Oxford University, Oxford.

Scheeler, C. (2006). Across Media, National Gallery Art, Washington, California University, Berkeley.

Seel, Martin (2007). Die Macht des Erscheinens, Suhrkamp, Frankfurt.

Seel, Martin (2000); Ästhetikk des Erscheinens, Suhrkamp, Frankfurt.

Seel, G. (2006). End of Art – Endings in Art. La fin de l’art – Les fins dans les arts. Ende der Kunst – Enden in der Kunst, Schwabe, Basel.

Sharpe, W. C. (2008). New York Nocturne. The City After Dark in Literature, Painting, and Photography, Princeton University, Princeton.

Spencer, D. R. (2007). The Yellow Journalism. The Press and America’s Emergence as a World Power, Northwestern University, Evanston (IL).

Speranza, G. (2006). Fuera de campo. Literatura y arte argentinos después de Duchamp, Anagrama, Barcelona.

Spivey, N. (2006). Wie Kunst die Welt erschuf, Philip Reclam, Stuttgart.

Stock, K. (ed.) (2007). Philosophies on Music. Experience, Meaning, and Work, Oxford University, Oxford.

Strohner, H. (2006). Kommunikation. Kognitiven Grundlagen und praktische Anwendungen, Vandenhoeck und Ruprech, Götingen.

Tabakowska, E.; Ljunberg, C.; Fischer, O. (2007). Insistent Images, John Benjamins, Amsterdam. DOI: https://doi.org/10.1075/ill.5

Tadday, U. (Hrsg.) (2007). Musikphilosophie, Musik-Konzepte, Text + Kritik, München, XI.

Taylor, Barry (2006). Models, Truth, and Realism, Clarendon, Oxford University, Oxford. DOI: https://doi.org/10.1093/0199286698.001.0001

Tilghman, B. R. (2005). Pero, ¿es esto arte? El valor del arte y la tentación de la teoría, Universidad, Valencia.

Urbina, P. A. (2008). Filocalía o amor a la belleza, Rialp, Madrid.

Varnedoe, Kirk (2006). Pictures of Nothing. Abstract art since Pollock, Princeton University Press, Princeton.

Walkerdine, V. (2007). Children, Gender, Video Games. Forwards a Relational Approach to Multimedia, Palgrave, New York. DOI: https://doi.org/10.1057/9780230235373

Washburn, P. S. (2007) The African American Newspaper. Voice of Freedom, Northwestern University, Evanston (IL).

Wettstein, H. (2005). The Magic Prism. An Essay in the Philosophy of Language, Oxford University. DOI: https://doi.org/10.1093/0195160525.001.0001

Wiesing, Lambert (2006). Artfizielle Präsenz. Studien zur Philosophie des Bildes, Suhrkamp, Frankfurt.

Wollaeger, M. (2007). Modernism, Media, and Propaganda. British Narrative from 1900 to 1945, Princeton University, Princeton. DOI: https://doi.org/10.1515/9781400828623

Yeazell, R. B. (2007). Dutch Painting and the Realist Novel, Princeton University, Princeton.

Zamir, T. (2007). Double Vision. Moral Philosophy and Shakespeare Drama, Princeton University, Princeton (NJ). DOI: https://doi.org/10.1515/9781400827435

Zangwill, N. (2007). Aesthetic Creation, Oxford University, Oxford. DOI: https://doi.org/10.1093/acprof:oso/9780199261871.001.0001

Published

2012-03-05

How to Cite

Ortiz de Landázuri, C. (2012). Excellence and Innovation in Communication Technology: Reconstruction of a Debate between Wiesing, Levinson, Crowther y Seel . HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades, 1(2). https://doi.org/10.37467/gka-revhuman.v1.676

Issue

Section

Research articles