HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN <p><em>HUMAN Review</em> is a scientific journal that publishes articles from different humanistic disciplines, such as philosophy, anthropology, literature, history, linguistics, social humanities or digital humanities, covering the multiple dimensions of the human. Inter- and transdisciplinary works that draw meaningful connections between disciplines and apply epistemological analyses that enrich readers are especially welcome. The journal welcomes research articles, critical reflection articles, systematic review articles, book reviews, and proposals for the publication of Special Issues. The journal is peer-reviewed (double-blind) and publishes papers written in Spanish, Portuguese and English.</p> en-US <p>Those authors who publish in this journal accept the following terms:</p> <ol> <li class="show">Authors will keep the moral right of the work and they will transfer the commercial rights.</li> <li class="show">After 1<strong> year</strong> from publication, the work shall thereafter <strong>be</strong><strong> open access </strong>online on our website, but will retain copyright.</li> <li class="show">In the event that the authors wish to assign an Creative Commons (CC) license, they may request it by writing to <a href="mailto:publishing@eagora.org">publishing@eagora.org</a></li> </ol> publishing@eagora.org (Patricia Sevillano - Publishing Coordinator) support@eagora.org (Support Team) Tue, 17 May 2022 11:26:40 +0200 OJS 3.3.0.8 http://blogs.law.harvard.edu/tech/rss 60 Español 1. 1. Libro de alumnos https://journals.eagora.org/revHUMAN/article/view/3509 Qi Zhou Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3509 Tue, 29 Nov 2022 00:00:00 +0100 The Category of Performance in Hannah Arendt https://journals.eagora.org/revHUMAN/article/view/3179 <p>The paper inquires the category of <em>performance</em> in Hannah Arendt. Her concept of the political eludes the tradition-inherited approach and subtracts the praxis from instrumental reason. Arendt revisits the political experiences of ancient Greek cities, where tragedy and assembly, theater and agora, provide the propitious space for action. She avoids the instrumental approach of <em>homo faber</em>, conceptualizes action as performance and shows its connaturality with the performing arts, to the detriment of the productive ones. In “What is Freedom?” Arendt understands political freedom as a “worldly fact”, and assesses the Machiavellian <em>virtù</em> as public excellence: as <em>performance on stage</em>.</p> Elisa Goyenechea Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3179 Tue, 17 May 2022 00:00:00 +0200 Freedom and Values https://journals.eagora.org/revHUMAN/article/view/3255 <p>This text reflects on the theme of freedom and its relationship with values. To do this, it shows the original approach to this issue present in the thought of the current Spanish philosopher J. M. Méndez. According to the characteristic thinking of this author, freedom does not represent a value but the gateway or the very possibility of participation in any ethical value, as postulated by his <em>axiological liberalism</em>.</p> <p> </p> Javier Barraca Mairal Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3255 Wed, 18 May 2022 00:00:00 +0200 Art and Society https://journals.eagora.org/revHUMAN/article/view/3116 <p>This article aims to demonstrate how the aesthetical theory of Theodor Adorno represents the very nucleus of Adorno’s “sociological philosophy”. I show why artworks, thanks to the ontological and material elements that constitute them, are the privileged point to comprehend the factors at play in society. In order to achieve this, I investigate particularly the concept of form. With this, I underline how the character of “open form” of modern art claimed by Adorno, though being a manifestation of a contingent historical moment, is able to deeply reflect the character of “openness” of reason, which thus conjugates with the proper function of philosophy.</p> Anna Piazza Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3116 Wed, 29 Jun 2022 00:00:00 +0200 Museums and the Pandemic: Strategies for the Educommunication of Heritage https://journals.eagora.org/revHUMAN/article/view/3371 <p>This article compares the strategies between nine museums in Ecuador, Spain and Peru to address the educommunication activities developed as a result of the 2020 pandemic. Focused on content analysis, the research takes into account the activity of their web pages and the interaction on their social networks. The results show that in Spain informative and informative actions prevailed, while Ecuador and Peru focused on cultural and educational ones. The most relevant contents were oriented to the teaching-learning of heritage, mainly through the development of webinars and online conferences.</p> Laddy Quezada-Tello, Giancarlo Cappello, Sebastián Alberto Longhi Heredia, Ángel Hernando-Gómez Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3371 Tue, 05 Jul 2022 00:00:00 +0200 Returns to university higher education in Peru https://journals.eagora.org/revHUMAN/article/view/3347 <p>This study measures the importance of finalizing university higher education in the income of Peruvian workers. Thus, information from the National Household Survey of Peru is analyzed, estimating three regression models based on who finished university studies and who did not. Our results show that completing university presents higher private returns than not doing it, and that the gap in returns by sex is shortened in those who finish their studies. In addition, there are higher returns in urban areas, capital cities, quality universities, and in those who do not study an education career.</p> Víctor Carlos Salazar Condor Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3347 Fri, 08 Jul 2022 00:00:00 +0200 A Negotiation with Reality: The Discursive Elements of the Dramatised Dissemination Documentary https://journals.eagora.org/revHUMAN/article/view/3268 <p>The documentary genre is one of the audiovisual mechanisms with the greatest media efficiency in the transmission of reality. However, depending on the nature of the story, the construction of the textual and audiovisual discourse is altered. In this article, we consider the following questions: Is the documentary a format that is faithful to reality? What modifications does the discourse undergo so that the story is enhanced? To go deeper into this aspect, we intend to analyse the different elements that make up the documentary discourse in its transition from reality to fictionalised narrative. To this end, an inspection of the environmental dissemination documentary My Octopus Teacher (Netflix, 2020) will be carried out. An audiovisual proposal in which the coexistence between human and animal life turns environmental dissemination into a powerful instrument for transmitting scientific knowledge.</p> Almudena Muñoz Gallego, Pedro Quintino de Sousa Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3268 Wed, 03 Aug 2022 00:00:00 +0200 Creative Arts and Experiences in Palliative Care https://journals.eagora.org/revHUMAN/article/view/3350 <p>In this article, we present a work developed with palliative patients with the aim of, through art, enabling them to find answers that would help them overcome situations that kept them involved in thoughts, fears, and anxiety that consumed their energy, joy, and will to live. For this purpose, we used a qualitative methodology —research-action— and the attained results revealed how arts can be useful to these patients by providing them, through the work they have developed, with an improvement in self-esteem, disposition, and well-being in disease avoidance and the expression and communication of emotions.</p> Maria José dos Santos Cunha, Manuel Luís Capelas Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3350 Thu, 13 Oct 2022 00:00:00 +0200 Suffering in the Workplace from a Philosophical View https://journals.eagora.org/revHUMAN/article/view/3480 <p>Individual, family, economic, and other forms of people suffering impact organizations. Suffering in the workplace is probably a more common occurrence than expected in everyday life, and opposite to health and employee wellbeing. According to the World Health Organization, 300 million people worldwide struggle with depression and close to 800.000 people die due to suicide every year. The European Survey on Working Conditions in the European Union gathers the most varied aspects of working conditions, such as the duration of the working day, relationships between collaborators in organizations, or healthy work habits. Among the results of that survey it is noteworthy that almost half of the close to twenty-two thousand workers surveyed in the 27 member countries stated that they felt uneasiness due to the conditions of their work.</p> Sheila Liberal Ormaechea, Eduardo Gismera, Cristina Paredes, Francisco Javier Sastre Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3480 Fri, 14 Oct 2022 00:00:00 +0200 Consumption of Specialized Travel Magazines in Spain https://journals.eagora.org/revHUMAN/article/view/3361 <p>This study analyzes the interests of Spanish audiences in travel magazines within the current context of press consumption. The objectives are to identify the readers' reading frequency and reasons for reading, what contents interest them, and what aspects of the photographs attract them. The methodology involves a structured questionnaire completed by a representative sample of the Spanish population (n=1000). The main results reveal a low reading frequency, great interest in practical information, preference for landscape photography (over the age of 54) and nightlife photography (young people), and indifference regarding the journalistic source of the images. These data provide relevant information on which to adapt travel magazines' content strategy.</p> Ana Beriain Bañares, José Ignacio Castelló Rivera, Javier Sierra Sánchez, Aida María De Vicente Domínguez Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3361 Mon, 31 Oct 2022 00:00:00 +0100 Synesthesia in Contemporary Music https://journals.eagora.org/revHUMAN/article/view/3343 <p>In this work we present the complex relationship between sound and color in musical creation throughout history that continues to be fruitful in current musical composition. Synesthesia in music establishes a correspondence between sound and color and has been a constant debate since the 17th century. The complex nature of sound appears from ancient Greece in the school of Pythagoras in which the number becomes the configurator of harmony. Since then, different aesthetic attempts have arisen to relate color and sound that reach today's electronic procedures in contemporary music.</p> María Luz Rivera Fernández Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/3343 Tue, 31 May 2022 00:00:00 +0200 The The theory of risk in the sale. https://journals.eagora.org/revHUMAN/article/view/2972 <p>The Colombian Civil Code regulates the theory of risk in the contractual relationships that arise from the sale. The buyer is not the owner and bears the fortuitous loss of the thing, having to execute the payment provision knowing that the debtor will not meet theirs, in a situation that threatens the contractual balance of act. The theory is taken from French law, George Ripert (n. d) and adopted by the Colombian law. It is proposed that the cause of the contract, element of formation, and execution of the act is accepted in order to restrict the threat that puts the legal stability of the act at risk.</p> Claudia Patricia García Rivera Copyright (c) 2022 HUMAN REVIEW. International Humanities Review / Revista Internacional de Humanidades https://journals.eagora.org/revHUMAN/article/view/2972 Mon, 03 Oct 2022 00:00:00 +0200