Anri Sala: Altered Times and Spaces

Authors

  • Toni Simó Mulet Universidad de Murcia
  • Jesús Segura Cabañero Universidad de Murcia

DOI:

https://doi.org/10.37467/revhuman.v11.4507

Keywords:

Spatiality, Temporality, Anri Sala, Audiovisual, Viewer

Abstract

In this text we will analyse the work of Anri Sala. Her audiovisual installations use film and video-based media, altering the concepts of space and time. In the first section, we propose the work Time after Time (2003) where she breaks time and space and introduces the idea of the disruption of everyday life as a time of experience. In a second section, we will deal with the work Ravel, Ravel, Unravel (2013) in which we discuss the manipulations of time and space. And we will conclude, as Anri Sala invokes in her work both the emotion and the body of the Viewer.

References

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Zivitere, A. L. (2012). Silence, Sound, and Music in Anri Sala’s Cinematic Works. Mediterranean Journal of Social Sciences, 3(7), 43-43. Recuperado junio 28, 2022, de https://www.richtmann.org/journal/index.php/mjss/article/view/11186

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Published

2022-12-30

How to Cite

Simó Mulet, T. ., & Segura Cabañero, J. (2022). Anri Sala: Altered Times and Spaces. HUMAN REVIEW. International Humanities Review / Revista Internacional De Humanidades, 15(6), 1–10. https://doi.org/10.37467/revhuman.v11.4507

Issue

Vol. 15 No. 6 (2022): Monograph: "Towards a new definition of artistic expression?"

Section

Research Articles (Special Issue)

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